Posts Tagged ‘party’

The Origin Story of Me and Honey Bear: Part 2

And now the continuation of the origin story of me and Honey Bear, which I’m posting on the two-year anniversary of our retroactively declared first date! (Neither of us knew at the time if could be called a date or not.)

Friday, February 21, exactly one week after I conducted my love spell: I met up with Lil’ Sis, and she drove us over to her friend Mummy’s apartment for snacks and entertainment. Matchmaking purposes lurked at the heart of the small gathering: Mummy and Lil’ Sis’s friend had both contacted her on the same day and were like, “I just got out of a relationship and I need to hook up with something!” Thus, this party was held so they could meet in an environment where it wouldn’t be weird.

The Origin Story of Me and Honey Bear: Part 2 @ www.HappiMessMedia.com  #anniversary #funny #humor #illustratedblog #love #lovespell #matchmaker #matchmaking #party #personal #personalblog #relationship #romance Also being set up was Lil’ Sis’s roommate and one of Mummy’s friends, but neither of these orchestrated pairings panned out: Lil’ Sis’s friend couldn’t make it because it was too icy where she lived (although apparently she and Mummy met up the next day with no pretenses or fanfare and got down to it), and Lil’ Sis’s roommate left early.

Howevs, I did manage to kind of hit it off with their friend Honey Bear, who was just killing me softly with his anecdotes and observations all night. I told him that he was a charismatic storyteller and Mummy was like, “What about me?! Am I charismatic storyteller??” I like to tell Honey Bear that he wooed me with his anecdote about how he passed out in a 7-Eleven in Philadelphia. He also ensnared me by making all sorts of goodies—guacamole, tzatziki, bruschetta with goat cheese, and pizza—and the guys provided us Yuengling, and it was just so much fun for me to not do absolutely anything but just eat snacks and be entertained by boys. The life!

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We played Just Dance, and the guys were so into it they insisted that whoever was dancing have “a shadow,” so more people could dance at once. Honey Bear and I shared a high-energy dance to Ike and Tina’s version of “Proud Mary.” (Honey Bear later expressed how drunk he was that night.) And to my great joy, we then played Rock Band, a game I hadn’t played forever but Friday reignited my passion for it. The boys scoffed at me for picking “Hungry Like the Wolf,” saying it was the lamest song ever, but then Mummy was harmonizing with me. He also scoffed at the rest of us for playing on Medium while he was on Expert: “Am I the only one who’s actually going to play this game?” Mummy kept running around all night, texting ladies to see if they would come over, and I had to tell him to “stop talking to Yoko” and get his head in the game.

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And then! Lil’ Sis and I left eventually left the gathering after bidding the boys goodnight. (I’d noticed that when we were leaving, Honey Bear was hanging around the door, looking so hopeful about perhaps getting a farewell hug.) She and I were halfway back to her place when I stopped rhapsodizing about all the yummy snacks that were there that night and asked, “Wouldn’t it be funny if we turned around and went back and stole the dip and then just left?” and Lil’ Sis was like, “If you’re serious, I’ll turn the car around right now,” and I was like, “Mmmm…. OKAY!”

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We giggled the entire way back to Mummy’s, and we left the getaway car running while we ran—still giggling—up to the apartment. I was nervous we were going to run into one of the chatty boys—Mummy or Honey Bear, the ones who wouldn’t let us escape without saying something—but the gods were on our side: as we burst in, two mild-mannered dudes were the only ones in sight, sitting at the dining room table and having a conversation (that promptly ended as soon as we materialized) and eating the guacamole and tzatziki, which we then proceeded to steal. We also snagged the bag of tortilla chips—the open one (Lil’ Sis: “We’re not complete assholes!”). Then, resuming our giggling, we ran back to the car and congratulated ourselves all the way home. (Mummy later texted Lil’ Sis, “You didn’t even take the lids!”)

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As we walked to Lil’ Sis’s house from her car, cradling stolen snacks, Lil’ Sis said Honey Bear texted her and was like, “You absconded with the dip? Also give Stef my number.” Later I texted her that I was “slightly intrigued” by him but I just wanted to see how it all played out, and she’s like, “Do you want his number or should I give him yours?” and I finally told her to give him mine. And so on Saturday, I got a text that read, “Salutations, this is Honey Bear. How goes?” (Much, much later, when reminiscing over these humble beginnings, Honey Bear lamented about his lack of game during our courtship and I asked if, after he sent that text, he slapped his forehead and groaned, and he was like, “YES THAT IS EXACTLY WHAT I DID.”)

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We met up for coffee on Sunday and had a marathon dish fest for four and half hours. It was really quite enjoyable talking to him—so enjoyable that I didn’t realize until I left how intensely dehydrated and exhausted I was (and how badly I needed to pee). I wish I remember what we talked about but it was just tons and tons of stuff: our jobs, my creative projects and how I need fifteen hundred marketing interns, the couple times he almost died (it was not just at the 7-Eleven!), tattoos, where we want to move to, how one guy we both knew always dressed like the Crow, and so on. He was seriously cracking me up and I liked that he was listening and asking me questions; I generally feel like I have to have mostly rushed conversational sound bites prepared, so it’s rare for me to be in a situation where I’m talking and people aren’t stopping me. He was just really easy to be with, right from the get-go when I showed up; there was nothing terribly awkward about any of it. And I liked how he kept shaking his hair around and tucking it behind his ears.

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“Oh my goodness!” I’d thought. “I might like a boy again! This is kind of fun.”

So there you have our meet-cute. Like I’d said, I’ve always fallen in love with the concept of having a story of us, and I think this one is quite nice!

THE END!

Worst Children’s Birthday Party Entertainers

The most frightening birthday I ever had was when I turned seven. I had a small party with some other first and second graders, and everything was going great until we busted out the game Operation. I don’t think I’d ever had such trauma inflicted upon my young emotions before. Fear hacked through me every time my tweezers nicked the metal sides while trying to retrieve my patient’s water on the knee, and the game would release that hateful you-disgraceful-fuckup alarm. I eventually ran away crying, unable to take the stress any longer.

Worst Children's Birthday Party Entertainers @ www.HappiMessMedia.com  #birthday #birthdayparty #blog #children #entertainers #funny #humor #illustratedblog #illustrating #illustrations #list #party #topfive #topfivelist Still, as far as birthday party entertainment goes, I’m sure it was a far superior experience than if any of the following entertainers had been present. Now I’m no expert on kids nor do I pretend to be; however, my intuition does suggest that the following would not go over well in any crowd, especially for the under-ten set:

The Grump. Shows up with a cigar dangling from his lip, flips the kids the bird, and then sulks in a trashcan for the rest of the night. Not to be confused with the birthday kid’s dad.

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The Psycho. Chain-smokes and downs coffee and snorts cocaine, all at the same time. Teaches the kids a nice game of Run from the Knife-Wielding Maniac.

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The Depressoid. Dresses similarly to the mime, but differs in that he has a “noose necklace” hanging around his neck, and the rest of the party is spent trying to coax him off the rooftop by telling him he has so much to live for.

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The Ice Cream Lady. A birthday party entertainer who is made entirely from ice cream. Invites the kids to dine upon her. Screams when she is eaten.

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The Vampire. Appears and reappears at random thanks to this magical cloak, most often when someone is using the toilet. Turns into a bat. Turns the rest of the children into the undead. The party winds up at the all-night buffet known as the blood drive.

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Have a suggestion for a terrible birthday party entertainer, or perhaps you had a real-life encounter with one who was truly awful? Leave a note in the comments below!

#60 – That Fatal Night

* Photo credit to The Closet *

Ken Matthews looks like a young Jeff Daniels. I wish he were wearing sunglasses to emphasize the ridiculousity of the situation/this book. You’ll see why.

Ken has been canoodling with waste-of-life Amy Sutton, who has a party in honor of the Gladiators but really it’s a party during which she can parade Ken around like he’s her boyfriend and make out with him in front of everyone. This breaks the heart of Terri Adams, the team’s assistant statistician, who’s been in lurve with our dear Ken from afar. Ken gives Winston Egbert, his lady Maria Santelli, and Terri a ride home, and Terri and Ken make awkward small talk that sets Terri’s loins afire. Then as soon as Ken drops her off, he gets in a car accident thanks to a drunk driver (which is the only reason anyone ever gets into a car accident around these parts. I bet the guy came right from Kelly’s, too!). The twins and Todd Wilkins arrive on the scene of the accident (of course) and the cop gives them the scoop (of course), and everyone cries and blah blah.

Amy freaks out when she finds out about Ken and does all she can to avoid him, especially after Ken’s dramatic, Twilight Zone-esque bandage removal that reveals that Ken is blind. GASP! Amy can’t bring herself to visit Ken or help the guy out, so she does what she can: start dating Scott Trost, the team’s new quarterback, and blaming the accident on Terri Adams. Wow. That’s just gold right there. Ken goes to rehab to learn how to count his steps and gain some depth of character before going back to school, where everyone acts all weird toward him, except for Terri, who keeps it real with him and chats to him about football. Terri confides in Liz Wakefield about her feelings (color me shocked) and Liz convinces Terri that blindfolding herself and walking around the house blind would be a great idea. By doing so, Terri realizes that being blind is hard. Who knew?

This experiment gives Terri the courage to call Ken and ask him on a date. They go to the beach, with Terri announcing her every move (“What I’m going to do is pull onto Chestnut and take it five blocks to Grover Terrace”), and she convinces Ken that running without sight on the beach is downright whimsical! (“I feel like I’m dreaming!” Ken cries.) After that, they’re like bosom buddies, going to football games together (with Terri describing the action) and doing homework together, and Ken realizes that he’s falling in love with her. Quelle surprise! But instead of telling her how he feels, he gets whiny, needy, and demanding of her time, and when she does cater to his every wish, he acts like he’s pissed at her. Liz gives the sage advice that Terri tell Ken how she feels and stop doing crap for him. As always, Liz is just so damn right! During a fight, Terri blurts out how she feels about Ken and then runs off weeping into the night, forcing Ken to man up, walk his ass down to the bus stop and go to their special spot on the beach, where he finds Terri sobbing. They make out and Ken starts to see the sun! His sight is returning! Oh, give me a break. Please note that no one died in this story, rendering the title false and useless, much like the series itself!

Other Notes:

  • The Sweet Valley Gladiators kick the crap out of the Palisades Pumas for the 137 billionth time since the beginning of the humanity. Actually, Sweet Valley does end up losing a game later on—but to an unnamed team. Hmm.
  • Ken drinks orange juice at Amy’s party, and it’s not even mixed with anything. The ridiculousness is getting out of hand.
  • Jeffrey French and Todd Wilkins are both at Ken’s welcome-back party in the cafeteria, and there isn’t even a knife fight or anything ! I demand bloodshed. After all, isn’t Liz worth it?

#58 – Brokenhearted

* Photo credit to The Closet *

WHY was everyone killing themselves over Jeffrey French when he first moved to town? Look at the guy. He looks like a lesbian. It’s like Ellen and Portia went to Olan Mills and got their portrait taken. Was it seriously so hard to make Jeffrey look, I don’t know, like a guy?

I think I laughed on every page of this heart-tugging tale; everyone’s such an idiot.

Poor Jeffrey—not only does he look like a beautiful gay woman, but his girlfriend Elizabeth’s ex-boyfriend and first love, Todd Wilkins, is moving back from Vermont to Sweet Valley! As if that wasn’t awkward enough, Liz can’t even reassure Jeffrey that he’s the one for her because she just doesn’t know anymore! And Liz is so fucking presumptuous, it makes me sick. As soon as she hears the news, she immediately starts worrying about “what to do” and who to choose between, even though she hadn’t heard from Todd in a month. She just assumes that he’ll want to date her. Because how can he resist? Even Jeffrey thinks, “Of course, it went without saying that Todd would still want to date Elizabeth. How could anyone not love Elizabeth Wakefield?” Um, because they’ve read 57+ books full of her bull crap? ARGH!

And of course Todd does want Liz back, which just makes the whole thing even more aggravating. But things aren’t so easy anymore! First, Todd’s family moved back because his dad is now president of Varitronics, some company that does whatever. In layman’s terms: Todd is rollin’ in it. Second, because he’s rocketed into the highest tax bracket, Mr. Wilkins enrolled Todd into Lovett Academy, an elite private school. Liz thinks everyone who goes there are just rich snobs (“It sounded like most of them were children of wealthy businessmen or famous movie directors”), but seriously? They’re just like Sweet Valley teens only in uniforms—HELLO: Bruce Patman and Susan Stewart, anyone? Just shut up, Liz! Third, there’s the matter of Jeffrey, but that’s positively paltry, you know.

Speaking of Jeffrey, Jess wants Liz to break up with him and choose Todd because Todd is money, baby—or rather, he has a lot of it. Jess finagles a tour of Lovett Academy out of him to meet rich new boyfriends, and to no one’s surprise, finds one: Sheffield Eastman, who looks like “a young Paul Newman” and is absolutely perfect. Unfortunately for Jess, he reveals, in front of her friends (i.e., Lila Fowler, who is lovin’ every minute of it), that he’s giving up his Mercedes and all his money to go live and work at a homeless shelter for a year, and Jess seriously contemplates throwing a drink on him and wonders “how could he do this to her?” Wah. Anyway.

Jeffrey’s pulling out all the stops—long-stemmed roses and romantic dinners at The Valley Inn—to keep Liz, but naturally his efforts are in vain. Howevs! A Lovett Academy girl, Courtney Kane, is totally hot for Todd and realizes that Liz is the only thing standing in her way, so she whips up this thorough, elaborate scheme to keep them apart that is dependant on the Sweet Valley gang not being able to resist spreading gossip. Todd throws a black-tie, welcome-back party for himself at his mansion and, because he heard through the grapevine that Liz has chosen Jeffrey, he takes Courtney as his date, but he and Liz spend the evening making moony eyes at each other all night.

Courtney wants to seal the deal, so she fakes a note from Todd and puts it in Liz’s pocket, telling Liz to be at the gazebo, and when Liz arrives, she sees Courtney Frenching Todd and runs off sobbing into the night. Jeffrey, however, witnesses the whole thing, and being the good-hearted person he is, he tells Todd the troof. Todd finds Liz sniveling at Secca Lake and they make out and stuff. They’re in love again!

Other Notes:

  • Annoying! The book references Todd falling in love with Suzanne Devlin in Special Christmas–fine, fine. But then the book says that Todd and Jeffrey never met which they toat did in Winter Carnival. They got along fantastically, actually. Why reference one super edition and not another? Do the ghostwriters not read their own nonsense?
  • I remember reading this book aloud with friends in college, and we were exhausted by Liz crying on every other fucking page. I think we only made it up to chapter three, too. I think it was then that I recalled just how redundant and obnoxious these books were. It was a real turning point.
  • “The twin in the wild zebra-striped miniskirt had to be Jessica, while the twin in conservative khakis and a comfortable short-sleeved cotton shirt was bound to be Elizabeth.” How does Liz pull at all?
  • “‘When I’ve worked things out, when I know for sure what part I want Todd to play in my life…Jeffrey, you’ll be the first to know,’ Elizabeth promised, putting her lips to his to kiss the hurt away.” What the…Jeffrey, why didn’t you just dump her ass right then and there?
  • Winston Egbert and Ken Matthews wrassle around and fall in the pool, having what they call a “wet tuxedo contest.” I think it’s obvious that the reason the dudes aren’t bothering all the girls for sex is because the dudes are all doin’ each other.
  • Liz bursts into hysterical tears at the drop of the hat in front of Alice, but it takes Alice two days to get around to asking her what’s wrong. The standard.

#53 – Second Chance

* Photo credit to The Closet *

Poor Kristin Thompson. She looks like a Dawn doll no one wants to play with because her hair’s too short and she looks like she has a mustache.

Liz and her lackey, Enid Rollins, are working with the National Foundation of Big Sisters (they would) and are going around school, recruiting girls to be role models, mentors and buds with young girls who don’t have moms. One little girl—nine-year-old Emily Brown—loves tennis and just lost her mom in a car crash. What to do with her? Then they realize, “Hey! Kristin Thompson has a dead mom and is obsessed with tennis! Get her on the horn!” Even though “Elizabeth barely knew Kristin”—pff, I’m sure she will after this, only for the duration of this book—she figures that KT, who is anti-social thanks to her grueling tennis schedule, can spare time to help Emily and needs something else to do with her life. So mote it be!

Howevs, KT’s life is hell, man. Being a wannabe tennis pro ain’t easy, but it sure is—no, actually it’s not fun at all and KT knows it: up at six, lift, jog, go to school, practice tennis, do homework, in bed by ten, rinse, repeat. Plus, the Avery Cup tournament is fast approaching, meaning KT is really working her tush off and is urged on by her protective pop and Mom’s best friend Dorrie. Poor girl—it’s hard to believe her life can get much worse. Wait, does she live next door to the Martins? That’d do it.

Anyway, KT’s pondering what it’s like to be normal, and frets if Daddy and Dorrie would still love her even if she wasn’t into tennis like her mom, who died on her way to Wimbledon. Then along comes none other than Bruce Patman, who is suddenly paying all sorts of attention to KT after she gives him a few pointers on his game (gasp! The audacity) and even lets him win a match against her to protect his frail ego. Following this, he gives her a ride to practice in 1bruce1 and begs for a date. That’s right, grovel, you hot bastard. And KT is so Rules-y, man—she doesn’t answer him right away, doesn’t blow off her plans at the last minute to be with him, and is just sooo busy.

KT’s dad warns her about letting her new “friendship” with Bruce get in the way of her training, and hearing that pisses KT off to no end. He even reminds her not to eat more than one scoop of ice cream! Saddam was never even this controlling! Then Bruce kidnaps her—I should revise that verb, considering you might think me literal due to the location—and keeps her out until 10:30! And her dad’s all, “Doesn’t this tournament mean anything to you?” Oh snap.

KT plays a few games to get on Nick Wylie’s pro circuit (I know nothing about tennis but this is a big deal, y’all) but doesn’t do as well as she should—she just can’t concentrate! She feels like Dorrie’s looking at her all “You let me down,” so she explodes, “All you and Daddy care about tennis. Just for once, can’t you love me and support me regardless of whether or not I win?” But Daddy and Dorrie just say, “We’ve tried to support you because you told us this is what you wanted!” Oh, the tangled webs we weave and such.

Bruce throws a big bash taking place the night before the big match and invites KT to be his date, but he spends the eve ignoring her and rubbing against Amy Sutton’s filmy peach dress after he bragged in the locker room that “even though Kristin Thompson is competing in a big tournament, she’s still willing to drop everything and come to his party.” KT then realizes that Bruce is a tool and she’s been a fool to think being a normal SVH student was anything more than a waste of time, and she tells Bruce off in a mature way not once but twice and it’s satisfying!

But enough about Bruce. KT prepares herself for a win of a lifetime, and she kicks ass! Actually, here’s some big news: I’m lying! She doesn’t win the coveted spot on the pro circuit and yet she’s from Sweet Valley! This surely must be a first. Before she can stuff her head in the oven, Dorrie assures her that she’s a winner no matter what. I’m glad Dorrie’s there—this spares us any awkward Pretty in Pink-esque chats with dear ol’ Dad.

KT meets Emily Brown, who thinks KT is the coolest person evs for taking her to the tennis club with her and holding her hand, and that’s admittedly sort of sweet. Then Emily Brown cries and confesses to KT that she’s failed to get into tennis camp and feels KT will surely hate her, and KT realizes that she’s though similarly of her situation with Daddy and Dorrie and swears to Emily Brown that nothing could be further from the troof.

Then Nick Wylie himself calls KT, needing her to fulfill her alternate obligations since the winner sprained her ankle. KT plays against a dynamite player in the tournament—and loses! I’m lying again—she actually schools that dynamite player so hard that the other chick’s got racquet marks on her bum. KT’s dad takes her out to dinner to celebrate, tell her he loves her even when she sucks at life and that he’s marrying Dorrie. I never saw that coming!

Other Notes:

  • Liz interviews KT for the Oracle—natch—and gets all judgey re: how KT’s dad doesn’t let his kid breathe. “How could she stand having her father and Dorrie hover over her that way? Or was that just part of what it meant to be a dedicated athlete?” But let’s not fault Liz too much—she’s never seen a real parent before, having instead ones who barely blink despite the ten-plus times she’s nearly been murdered and kidnapped in one school year.
  • Liz and Jess have a (Project C.C.?) cookie bake-off with their Little Sisters, and fortunately that’s pretty much all we hear from them this book. The twins, I mean, not the Little Sisters. Yeah right, we pretty much never even hear of those brats again.
  • Overall, I found KT to be one of the most likable characters in an SVH book ever. Naturally, she vanishes into the abyss and is never heard from again, clearing the way for more shallow and annoying characters.

#47 – Troublemaker

* Photo credit to The Closet *

Julie Porter looks like a young Annie Potts, and no offense to Annie Potts, but Julie’s face is totally aching for my fist. She’s all giddy with adoration who stares up at Bruce Patman, who unfortunately ain’t even fine (right now). And the other dude—Josh Bowen, whose Adam’s apple is only getting bigger and more hypnotic the longer I stare at it—looks weird too; he’s gazing at Bruce like he’s in love with him just like Julie is, only he’s pissed because he can’t do anything about his dude-on-dude preferences in WASPy Sweet Valley.

So, even though you’ve probably never heard of this Julie Porter chick in your life (aside from Last Chance), don’t you know that she and Liz are BFFs now? “They had been very good friends back in Sweet Valley Middle School. But they started hanging out with different crowds when they reached high school (subtext: Liz became cooler than Julie), and it was only in the last few weeks that they had grown close again.” DUH—because Liz wants you to teach her the recorder, Julie. Poor Julie; she’s too dumb to realize just how dumb she is. Julie’s so nerdy and boring, you guys. She has nothing going for her but her music and her newfound friendship with Liz Wakefield. What did she do with her time before Liz had her practicing the recorder every day after school?

Well, Julie does have one friend: neighbor boy Josh Bowen, a dude who wants so badly to be in the school frat Phi Epsilon that he’ll let Bruce Patman practically sodomize him in the cafeteria at high noon. Yes, Bruce is up to his old, douchey shenanigans and that’s apparently because Regina died. Right. Didn’t he snuff out any hurt, regretful emotions in Amy Sutton’s loose vagina? Anyway, that “explanation” justifies why Bruce is stuffing Josh into lockers, making him eat a million banana splits, dressing him up in drag, and basically turning the guy into his slave. But Julie is still totally hot for Bruce and his blue eyes. And fucking Liz, man: “She didn’t want to butt in on Julie’s personal life, but she felt a duty to warn her about Bruce.” Give me a break! If Liz isn’t befriending someone for her personal benefit, she’s befriending someone to meddle in his/her life; Julie just happens to cover both qualifications. Anyway, Bruce asks Julie to the Phi Epsilon party, and she’s beside herself with glee, even though Liz has heard Bruce is dating some sexy blonde ballerina. Liz does not support this union, but is all, “It’s not up to me to approve or disapprove, Julie.” Oh, please, LIZ. Josh gets all distressed about Julie’s date with Bruce, and he starts wondering, “Is this love that I’m feeling? Is this the love that I’ve been searching for?” (Because Josh, in my head, totally loves Whitesnake.)

Even though Julie is gaga for Bruce, she sort of has a healthy attitude when it comes to him liking his hot ballerina: “Bruce could like someone else, but I’m the one who’s going to the party with him. And even if we never go out together again, it’ll probably be a night I’ll always remember.” Good for you, girl. The Phi Epsilon party rolls around and Bruce takes Julie into a dark back room, where he leaves her pre-make-out sesh to “go change the CD,” and then he comes back and gives her the best smooch of her life. But then the lights go up and it’s not Bruce at all; it’s Josh! (Josh thought he’d just be kissing some random chick for a “Who’s the Best Lover” contest. I’m totally scoffing.) Julie all but hurls pom poms at Josh while shrieking, “You’re a fake and a phony and I wish I’d never laid eyes on you!” Josh feels super awful—but not awful enough to quit pledging and somehow winding up in more situations where he’s either confiding in Liz (GOD) about Julie or accidentally kissing Julie in the name of Phi Epsilon. This is so retarded.

The final straw is when Bruce says that Josh has to bring Julie a giant tray of Jell-O—or else. WTF kind of last straw is that? At any rate, Josh takes the giant tray of Jell-O and dumps it on Bruce’s lap, nearly bringing poor Bruce to tears. Why can’t they just be manly and start throwing punches? I’m embarrassed that they’re such chicks. Then Josh drags Julie away from the whooping crowd and gives her the second best kiss of her life—on their own terms! Barf.

And what’s Miss Jessica up to? Why, she’s trying out for the lead role in “You Can’t Take It With You,” which she’s never even heard of, so she brushes up on all her best dance moves only to be told that—horror of horrors!—she’s supposed to dance badly: it’s a comedic role! Jess is appalled and mortified at the thought of actually being funny, which I find so weird, but then again, no one in Sweet Valley is funny on purpose. (Laughing at Elizabeth’s failures doesn’t count.) But, in a totally antic-climactic move that doesn’t make for interesting filler at all, she just gets over it and takes the role anyway after pages and pages of whining, and everyone applauds her talent. Thanks for that, ghosties.

Other Notes:

  • Why does Bruce Patman hang out with Ronnie Edwards? Ronnie Edwards is NOT cool; he dated Enid Rollins, for God’s sake. Bruce, quit being such a loser and get some real friends, like some high class call girls who will coerce you into trying coke and getting it all over your SVH sweater. I can’t bear his wasted potential!
  • UGH! More shunworthy dialogue: Enid sees Liz and Jeffrey French tongue-bangin’ in the hallowed halls of Sweet Valley High and shouts, “Hey, let go of that woman before I report you for assault with intent to kiss!” to which Liz replies, “Enid! Just in time to save me from the Sweet Valley High Maniac!” So. Gross.
  • Liz hears that Lila Fowler knows all about Bruce’s hot date for the party, so even though Liz hates Lila, she corners her at lunch for the scoop. And Liz seriously thinks she herself is not a gossip? AND she gets all indignant when she refuses to do Lila a favor (to preserve her precious fucking journalistic integrity!) and Lila turns around and won’t do one for her. The nerve of Lila!
  • MOAR FORESHADOWING! Lila confides in Liz, “I’m having this problem. I’ve gone out with John Pfeifer a couple of times recently—you know, a movie here, a party there, nothing serious. Now all of a sudden he’s calling every day, sometimes twice a day. I think he’s really gotten hung up on me.” Eep! The writers knew what was coming all along. And what’s Liz’s advice? “Well, I’m sure you’ll work it out” and then immediately lapses into her own deal. I hate how we’re actually supposed to believe that Liz is so caring! ARGH!
  • Bruce gets all offended and upset when Josh tells him he has a “lousy sense of humor” and demands that Josh “take it back.” This is so lame.
  • When Bruce is crying about the stain on his pants, one frat brother suggests “talcum powder” to remove the stain. TALCUM POWDER? Why do you know that, nameless guy? Don’t you have a penis?

#44 – Pretenses

* Photo credit to The Closet *

Yeah, so that’s supposed to be Steven Wakefield and his lady love Cara Walker, who appears to be pretty cute at first glance, but when I examine closely, it’s up for debate. Steven—don’t get me started on him. He looks like a ROBOT. He’s got department-store-mannequin hair and NO SOUL behind his eyes. What is that in his hand? Are they fighting over the dinner bill?

Jessica—who’d insisted on her brother and her friend dating in the first place—decides “that Cara and Steven were no longer the ideal couple” that she suddenly wants them to break up. Why, you ask? Get a load of these sociopathic antics: “For one thing, she preferred having her friend all to herself, and for another, she was sick of so many of her good friends being involved in such serious relationships.” HATE! Why, Jess, why? I was just beginning to not want to push you down a flight of stairs!

Cara’s throwing herself a belated birthday party, even though her birthday was months earlier. Um, okay. She’s regretting mentioning the birthday gathering at the Marine House to Abbie Richardson, some rando with a “well modulated” voice, because she’s invited too many people already, but Jess assures her that Abbie won’t care because she hasn’t hung out with them for years (but now she’s back in the picture because she just got dumped by a dude from Palisades High—yeah, she’s THAT friend). Abbie desperately wants for everyone to like her so she’s sickeningly agreeable about everything, like carrying people’s lunch trays for them and volunteering to clean up after everyone in art class. I hate her already, especially since all she aspires now post-breakup is to impress Liz Wakefield and be her friend.

Liz and The Oracle geeks (eek! Great new band name) all depressed because the school paper isn’t as popular as it used to be, based on a POLL they sent out. They take this so seriously! Winston Egbert tells them that what the paper is missing is humor—comics, puzzles, the like. They decide to have a “humor competition” (oh, what a thrill that sounds like), and Abbie goes to work on submitting her really unfunny comic “Jenny,” which is about the ups and downs of a teen girl, and all she can think is, “She just hoped Elizabeth liked it. As far as Abbie was concerned these days, Elizabeth Wakefield could do no wrong.” GROAN!!!1 Why is the ghostwriter doing this to me?

Steven has to come home from school for almost two weeks to take a bunch of vigorous allergy tests and sinus X-rays, and Jess warns Cara that familiarity breeds contempt, so she suggests injecting a little “mystery” in the relationship. Who wants to take relationship advice from Jessica Wakefield? Basically all she’s good for are BJ tips. But Steven comes home and acts distant and unromantic (and sick), and Cara begins to think Jess is right.

Doubly unfortunate for Cara, Abbie is all excited about Cara’s birthday party and her mom even wants to buy her a new dress for the event. My stomach kind of plummets here; I actually feel bad for her. She even goes to the mall to buy Cara a birthday present—a silver ring. Awk-ward! Cara does nothing to try to explain the whole I-invited-too-many-people thing, which would’ve cleared up everything, including the need for this story, I suppose. She asks Liz why Cara didn’t invite her, invoking Liz’s smothering need to fix the world.

Steven acts all weird at Cara’s party, and she catches him outside, reading a note written on pink stationary. They get in a fight about it, and nothing’s really resolved. Abbie gives Cara the ring, and Cara feels like a Turd Ferguson.

Abbie goes over the Wakefields’ to get Liz’s help with the “Jenny” cartoon (which is clearly “Cathy” for teens), and meets Steven, who said he already met Abbie at Liz’s “video party.” Please let that mean what I think it means. Steven admires Abbie’s sketches, and before you know it, he’s spilling his guts to her and she’s giving him such wise, mature advice, and Abbie can’t help but think “how great the Wakefield family was.” GROSS! I’m sick of these people. Abbie starts “becoming a permanent fixture around the house,” and everyone’s in love with her because she’s so nice. That’s her only trait, really. Jess tricks her into doing stuff for her and Liz gets pissed, blah blah.

Anyway, Steven finds a letter typed in italic typeface on pink stationary sticking out of his history book that goes on and on about how the person pines for his sexy Wakefield ass, and he has no idea who it’s from. Meanwhile, he’s hanging out with Abbie (not like he has a choice, she’s always at his house) and saying things like, “You’re so understanding. I wish Cara were a little more like you.” Ugh. He confides in Abbie about the letters he’s getting and how they’re on the stationary his dead ex Tricia Martin used to write him and now he’s all haunted by her. Cara, by the way, is sobbing around town that Steven no longer loves her, but instead of talking to him about it, she decides to “back off and act as disinterested as he is.” Oh, geez. Even Jessica thinks this is stupid.

Now Steven’s comparing Abbie and Cara constantly, and Abbie is seeing him as more than a friend. Liz suspects something shady is going on between the two of them because she saw Steven touch Abbie’s arm, so she and Jess snoop around at the stationary store and find out that a brunette their age is buying the pink stationary—it must be Abbie! Especially since Steven would rather take her to a Lakers game instead of Cara! Dude, I’m be piiiiiiissssssed if I were C.Walk right now. Jessica vows to get back at Abbie for being a boyfriend-stealer, and Lila Fowler breaks down and tells Cara about Steve taking Abbie to the game, to which Cara literally mutters, “I’m going to kill them all.” LOL—Cara’s inner Margo. But I’m getting ahead of myself.

Steven’s shows Abbie the fourth letter he’s written and hands it to her when he goes upstairs for nothing but the convenience of Jessica walking in the room to see her holding the letter. Abbie guiltily stuffs the letter in her bag, and out pop the Wakefield police, demanding to know how she could be so deceitful and rotten. Abbie feels so awful, she’s about to rush to the nearest nunnery; after all, “not only was she being accused, but she was being accused by Elizabeth and Jessica and Steven, the three people she had come to like and respect more than anyone else.” I feel ill after reading that. But then she flips out: “All my life I’ve tried to be nice and do things for other people… I see now what really comes of being nice to people.” Burn! And Abbie leaves—yes, she walks out on the Wakefield kids!—feeling good about herself. Yes, I’d feel good if I told them all off too.

Then Cara shows up and tells Steven that she’s been writing the letters all along, and was only using that paper because she’d asked the saleslady for “something romantic.” They make up after agreeing to never let miscommunication get in the way and going on for pages and pages, rehashing why they were fighting. Then Cara and the Wakefields all go over to Abbie’s to kiss her ass and drink lemonade. And Ned gets another ticket so EVERYONE goes to the game. And “Jenny” gets to be a weekly feature in The Oracle! HAPPY ENDINGS!

Other Notes:

  • In this book, we find out what became of Bruce and Amy post-Regina’s doom! They apparently “date occasionally,” and Jess chalks his relationship with Regina up to being “a fluke”—“now he was back to his old antics.” How annoying! How can he be completely over Regina and continue to date Amy with a good conscience? This is only four books later! Steven’s STILL mourning Tricia, and she bit it about five years ago! I do not support this. Then again, I think I’m expecting too much of rich high school boys.
  • Lila feels so bad about telling Cara about Steven and Abbie that she actually feels compassion toward her friend, something the book acknowledges is a Lila first. Haha.
  • “Jenny” suuuuuuuuuuuuuuuuuuuuuuuuuucccccccccccksss!

#43 – Hard Choices

* Photo credit to The Closet *

Ugh @ this cover. All the colors are making me ill. What’s interesting is that books are right: Enid’s pretty “in her own way.” I can’t explain how though. She’s like a magic eye poster, where it’s weird looking at first glance but if you look closely, you start to see something worthwhile. And then you lose it again. That’s Enid!

I hooted at the back caption: “No life of her own…” In the words of Rayanne Graff, duh squared. That’s what happens when you spend your days up E. Wakefield’s a-hole.

Enid’s thrilled that her grandmother is coming to live with her and her single mom since her grandfather bit the dust. Even though she has to give up her room and live in the attic, it’ll be worth it! Until Grandma actually gets there and is no longer the spritely little old lady Enid once knew. It turns out that Grandma’s old. And helpless. And kind of a bitch. Even Liz thinks so, so of course it must be right. Grandma insists that she doesn’t want to be a burden, but of course that’s during the times when she’s being the biggest pain in the ass of all. She hates on Mrs. Rollins’s boyfriend Richard, throws tantrums when she has to be left alone, and thinks Enid’s wimpy friends are a bunch of drug-addicted hooligans because they woke her up from a nap. Enid’s already tragical social life is further reduced to tatters because Grandma wants her to hang out with her and listen to her whine, leaving Enid no time to be with her beloved Hugh Grayson, whom she’s already having problems with.

Things get really tense when Grandma convinces Mrs. Rollins that it’s not a good idea for Enid to go dry hump Hugh in a sleeping bag on some co-ed camping trip and makes Enid take her to go get aspirin and hairspray. And when Enid is stuck staying home with Grandma instead of going to Elizabeth’s little party and Hugh practically dumps her on the porch, Enid flips the fuck out, telling Granny that she hates her and that life sucks now because of her. Then she runs away crying, and when she returns, Grandma’s back to her old sweet cookie-baking self again and admits that Enid’s right. Teenagers are always right in Sweet Valley. Then Grandma moves back home and Enid and Hugh make up and everyone’s lives improve. What a freaking waste of a story! I have my life to live, Francine!

Half of the book is devoted to Liz and her making a documentary on goddamn Sweet Valley. I’m so repulsed that everything “creative” that Liz does is devoted to her obnoxious hometown. “I was just feeling sentimental about living in the most wonderful town in the whole world, that’s all,” she says. Pardon me, I just threw up a bit. She gets her slave Jeffrey French to film it and Jessica is the on-screen narrator and they run around town, interviewing the mayor and what not for the opus titled “This is Sweet Valley,” during which Winston Egbert walks around with a fake arrow in his head. Egbert aside, these people sicken me.

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